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Live with The Legendary: The Evolution of The Roots
by Adrian Ruhi
March 5, 2006
 
Things Come Together (1999-2001): Things Fall Apart, The Legendary, The Roots Come Alive
Subtle production from sometime-Root Scott Storch. Songwriting from newcomer Jill Scott. An infectious chorus by neo-soul forerunner Erykah Badu. An uncredited rap from then-unknown Eve. And of course heartfelt verses from Black Thought and a wicked drum outro by ?uestlove. This is the intricate formula that propelled The Roots into the mainstream in 1999 with “You Got Me”.

As the first single from their MCA Records debut Things Fall Apart, named after the novel by Chinua Achebe, “You Got Me” earned The Roots their first Grammy. Things Fall Apart successfully walked the tight rope between the jazzy musicianship of Do You Want More?!!!??! and the street-corner hip-hop of Illadelph Halflife, thrusting them into the neo-soul spotlight of the time and helping them sell more than a million records worldwide for the first time. Their newfound acceptance helped them launch the online community Okayplayer.com, as well as releasing two more albums in 1999 on MCA: The Legendary EP, which featured unreleased and live tracks, and The Roots Come Alive, a hodge-podge of Roots songs performed live in concert.

And of course the concert was still their bread and butter. The Roots incorporated much of their Things Fall Apart material into their shows, sometimes at the expense of their older catalogue. The band remained unchanged from the Illadelph days: Black Thought on vocals, Rahzel and Scratch beatboxing, ?uestlove on drums, Hub on bass, and Kamal on keys. Unfortunately, Rahzel would stop touring with The Roots shortly after the release of his solo album in 1999.

It wasn't uncommon for a Roots show to commence with all the band members emerging from the shadows of the crowd pounding cowbells as Black Thought tore through new track, “Without A Doubt”, once reaching the stage. Scratch assisted vocally on crowd-favorite “The Next Movement”, still a staple of almost every Roots show to this day. “Step Into The Realm” featured a more lush soundscape in concert than in studio-form, with Black Thought drastically adjusting his volume as he tackled both his and Malik's verses. The band would position themselves low to the stage, and slowly rise up as Thought's voice grew louder. “Don't See Us”, “Double Trouble” (sans Mos Def) and “Adrenaline!” (with Black Thought often handling vocals for himself, Malik, Dice Raw, AND Beanie Sigel) were other Things Fall Apart songs performed often. “Dynamite”, which entered the setlist later in the Things Fall Apart touring era, was often interlaced with Doug E. Fresh's classic “The Show”, and “100% Dundee” was usually performed with a different chorus, a new key melody by Kamal, and a Hub bassline replacing the studio version's Rahzel beatbox.

The Roots often had friends with them in concert during this era. It was not uncommon for Common to pop up for “Act Too... Love of My Life”, Dice Raw to show up for “Ain't Sayin' Nothin' New”, or “You Got Me” to feature the presence of Erykah Badu, Jill Scott or other up-and-coming female soul singers. During this time, The Roots also started performing new tracks, some of which have never found their way to a Roots studio LP. The call-and-response insanity of “The Ultimate” has never seen the light of day in studio form, but was featured on both The Legendary and The Roots Come Alive. Then unreleased songs like “Y'all Know Who” were often used to jump-start shows, while the popular single from The Best Man soundtrack, “What You Want” was oft-performed in this era.

In 2000, The Roots embarked on the first Okayplayer Tour, featuring Guru, Reflection Eternal, dead prez, Jill Scott, Jaguar Wright, and The Jazzyfatnastees, with The Legendary playing house band. During the later Things Fall Apart-based shows, Ben Kenney handled bass duties as Hub embarked on a tour with Jaguar Wright. Upon Hub's return, Kenney remained with the band, becoming the group's first long-term guitarist. This, along with the incorporation of songs from Black Thought's upcoming solo release, Masterpiece Theatre, such as “Hardware” and “Water”, would set the tone for the next evolution in The Roots' sound...

Next (Phrenology)
 
Organix
1987-1993
A new movement in Hip-Hop is born in South Philly.
From the Ground Up
1994
Extensive touring of Europe leads to release of first EP.
Do You Want More?!
1995
Return to the States to release major label debut album.
Illadelph Halflife
1996-1998
Hip Hop 101 flourishes along with their new raw sound.
Things Fall Apart
1999-2001
A surprise hit finally brings The Roots the recognition they deserved.
Phrenology
2002-2004
Personnel changes and a thicker sound bring forth a new direction in hip hop.
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